Ornella Muti and Eleonora Giorgi – Signed Photo – Appassionata

Ornella Muti (born Francesca Romana Rivelli; 9 March 1955) is an Italian actress. She made her film debut as Francesca Cimarosa in the 1970 film La moglie più bella.

Early life
Muti was born in Rome to a Neapolitan journalist father and Ilse Renate Krause, a Baltic German sculptor from Estonia. Her maternal grandparents emigrated from Leningrad (now Saint Petersburg, Russia) to Estonia.
Career
Muti modeled as a teenager and made her film debut in the 1970 film La moglie più bella (The Most Beautiful Wife). She has primarily worked in Italian films but made her English-speaking film debut as Princess Aura in Flash Gordon in 1980. American movies she appeared in include Love and Money (1982), Casanova (1987), Wait Until Spring, Bandini (1989), A Season of Giants (1990), Oscar (1991), Once Upon a Crime (1992), Somewhere in the City (1998) and To Rome with Love (2012). In 2008, Muti introduced her own line of jewelry and subsequently opened shops in Paris, Milan, Rome, Riga, Moscow and Almaty. In 1999 she insured her breasts for $350,000. In 2015, the Italian court of Pordenone condemned her to 8 months in prison for having canceled a theatrical performance following a health problem, which did not prevent her from participating in a social dinner with Vladimir Putin in Saint Petersburg in December 2010. She avoided prison by paying the sum of 30,000 euros to the Verdi theater as compensation.

Eleonora Giorgi (born 21 October 1953) is an Italian actress. Giorgi was born in Rome. Her father was of Italian and English origin. Her mother was of Italian and Hungarian origin. She made her film debut in a minor role in Paolo Cavara’s horror film Black Belly of the Tarantula (1970) and subsequently appeared in nearly fifty films, mostly in prominent roles. Domenico Paolella’s Story of a Cloistered Nun (1973), an important nunsploitation, marked her film debut, at age eighteen. She then took part in Il bacio (The kiss), a fantasy drama directed by Mario Lanfranchi, and in erotic comedies such as Salvatore Samperi’s La sbandata (1974), in which she plays near Domenico Modugno and Luciana Paluzzi, Luciano Salce’s Alla mia cara mamma nel giorno del suo compleanno (1974), Pasquale Festa Campanile’s Conviene far bene l’amore (U.S. title: Love and Energy) (1975) and Gianluigi Calderone’s Appassionata, that definitively gaine her the public acclaim. Roles in movies like Franco Brusati’s To Forget Venice (1979), Dario Argento’s Inferno (1980), Nino Manfredi’s Nudo di donna (1981), and Liliana Cavani’s Beyond Obsession (1982) are some of her most known and remarkable dramatic performances but in the beginning of the eighties, Giorgi decides to rejoin comedy. She’s near Adriano Celentano in Mani di fata and Grand hotel excelsior; for her performance in Carlo Verdone’s Borotalco (1982), she won the Nastro d’Argento award and David di Donatello award for Best Actress. In 2003, Giorgi wrote and directed her first film Uomini & donne, amori & bugie (U.S. title: Love, Lies, Kids… & Dogs), with Ornella Muti.