Description
ENNIO MORRICONE BIOGRAPHY :
Ennio Morricone (10 November 1928 – 6 July 2020) was an Italian composer, orchestrator, conductor, and trumpeter who wrote music in a wide range of styles. With more than 400 scores for cinema and television, as well as more than 100 classical works, Morricone is widely considered one of the most prolific and greatest film composers of all time. His filmography includes more than 70 award-winning films, all Sergio Leone’s films since A Fistful of Dollars, all Giuseppe Tornatore’s films since Cinema Paradiso, The Battle of Algiers, Dario Argento’s Animal Trilogy, 1900, Exorcist II, Days of Heaven, several major films in French cinema, in particular the comedy trilogy La Cage aux Folles I, II, III and Le Professionnel, as well as The Thing, Once Upon a Time in America, The Mission, The Untouchables, Mission to Mars, Bugsy, Disclosure, In the Line of Fire, Bulworth, Ripley’s Game, and The Hateful Eight. His score to The Good, the Bad and the Ugly (1966) is regarded as one of the most recognizable and influential soundtracks in history. It was inducted into the Grammy Hall of Fame. After playing the trumpet in jazz bands in the 1940s, he became a studio arranger for RCA Victor and in 1955 started ghost writing for film and theatre. Throughout his career, he composed music for artists such as Paul Anka, Mina, Milva, Zucchero, and Andrea Bocelli. From 1960 to 1975, Morricone gained international fame for composing music for Westerns and—with an estimated 10 million copies sold—Once Upon a Time in the West is one of the best-selling scores worldwide. From 1966 to 1980, he was a main member of Il Gruppo, one of the first experimental composers collectives, and in 1969 he co-founded Forum Music Village, a prestigious recording studio. From the 1970s, Morricone excelled in Hollywood, composing for prolific American directors such as Don Siegel, Mike Nichols, Brian De Palma, Barry Levinson, Oliver Stone, Warren Beatty, John Carpenter, and Quentin Tarantino. In 1977, he composed the official theme for the 1978 FIFA World Cup. He continued to compose music for European productions, such as Marco Polo, La piovra, Nostromo, Fateless, Karol, and En mai, fais ce qu’il te plait. Morricone’s music has been reused in television series, including The Simpsons and The Sopranos, and in many films, including Inglourious Basterds and Django Unchained. He also scored seven Westerns for Sergio Corbucci, Duccio Tessari’s Ringo duology and Sergio Sollima’s The Big Gundown and Face to Face. Morricone worked extensively for other film genres with directors such as Bernardo Bertolucci, Mauro Bolognini, Giuliano Montaldo, Roland Joffé, Roman Polanski, Henri Verneuil, Mario Bava, Lucio Fulci, Umberto Lenzi, and Pier Paolo Pasolini. His acclaimed soundtrack for The Mission (1986), was certified gold in the United States. The album Yo-Yo Ma Plays Ennio Morricone stayed for 105 weeks on the Billboard Top Classical Albums. Morricone’s best-known compositions include “The Ecstasy of Gold”, “Se telefonando”, “Man with a Harmonica”, “Here’s to You”, the UK No. 2 single “Chi Mai”, “Gabriel’s Oboe”, and “E Più Ti Penso”. In 1971, he received a “Targa d’Oro” for worldwide sales of 22 million, and by 2016 Morricone had sold more than 70 million records worldwide. In 2007, he received the Academy Honorary Award “for his magnificent and multifaceted contributions to the art of film music”. He was nominated for a further six Oscars, and in 2016, received his only competitive Academy Award for his score to Quentin Tarantino’s film The Hateful Eight, at the time becoming the oldest person ever to win a competitive Oscar. His other achievements include three Grammy Awards, three Golden Globes, six BAFTAs, ten David di Donatello, eleven Nastro d’Argento, two European Film Awards, the Golden Lion Honorary Award, and the Polar Music Prize in 2010. Morricone influenced many artists from film scoring to other styles and genres, including Hans Zimmer, Danger Mouse, Dire Straits, Muse, Metallica, Fields of the Nephilim, and Radiohead.
VITTORIO STORARO BIOGRAPHY :
Vittorio Storaro (born 24 June 1940 in Rome) is an Italian cinematographer widely recognized for his work on numerous classic films including The Conformist, Apocalypse Now, and The Last Emperor. In the course of over fifty years, he has collaborated with directors such as Bernardo Bertolucci, Francis Ford Coppola, Warren Beatty, and Woody Allen.
He has received three Academy Awards for Best Cinematography for the films Apocalypse Now (1979), Reds (1981), and The Last Emperor (1987), and is one of three living persons who has won the award three times, the others being Robert Richardson and Emmanuel Lubezki.
He has received three Academy Awards for Best Cinematography for the films Apocalypse Now (1979), Reds (1981), and The Last Emperor (1987), and is one of three living persons who has won the award three times, the others being Robert Richardson and Emmanuel Lubezki.
Career
Storaro is considered to be one of the greatest and most influential cinematographers of all time. He has worked with many important film directors, in particular Bernardo Bertolucci, with whom he has had a long collaboration.[6] His philosophy is largely inspired by Johann Wolfgang von Goethe’s theory of colors, which focuses in part on the psychological effects that different colors have and the way in which colors influence our perceptions of different situations. He first worked with Bertolucci on The Conformist (1970). Set in Fascist Italy, the film has been described as a “visual masterpiece.” Also in 1970, he photographed The Bird with the Crystal Plumage, the directorial debut of Dario Argento and a landmark film in the giallo genre. The first American film that Storaro worked on was Apocalypse Now (1979). Director Francis Ford Coppola gave him free rein on the film’s visual look. Apocalypse Now earned Storaro his first Academy Award. He worked with Warren Beatty for the first time on Reds (1981), and ended up winning his second Academy Award. Storaro won a third Academy Award for The Last Emperor (1987), directed by Bertolucci. Three years later he received a nomination, but did not win, for the Beatty film Dick Tracy. In 2002, Storaro completed the first in a series of books that attempt to articulate his philosophy of cinematography more substantively. He was cinematographer for a BBC co-production with Italian broadcaster RAI of Verdi’s Rigoletto over two nights on the weekend of 4 and 5 September 2010. Woody Allen’s Café Society (2016) was the first film that Storaro shot digitally. He used the Sony F65 camera. In 2017, Storaro was honored with the George Eastman Award. The same year he also attended the New York Film Festival at which he debated with Ed Lachman on cinematography and its transition to digital. His other film credits include 1900, Last Tango in Paris, Dominion: Prequel to the Exorcist, One from the Heart, Bulworth, The Sheltering Sky, Tucker: The Man and His Dream, Ladyhawke, Tango, and Goya en Burdeos. With his son Fabrizio, he created the Univisium format system to unify all future theatrical and television movies into one respective aspect ratio of 2.00:1. As of 2020, this unification has not happened, and the universal replacement of 4:3 televisions by large, wide-screen displays greatly reduces the need to modify scope-ratio films for home theater presentation.
Storaro is considered to be one of the greatest and most influential cinematographers of all time. He has worked with many important film directors, in particular Bernardo Bertolucci, with whom he has had a long collaboration.[6] His philosophy is largely inspired by Johann Wolfgang von Goethe’s theory of colors, which focuses in part on the psychological effects that different colors have and the way in which colors influence our perceptions of different situations. He first worked with Bertolucci on The Conformist (1970). Set in Fascist Italy, the film has been described as a “visual masterpiece.” Also in 1970, he photographed The Bird with the Crystal Plumage, the directorial debut of Dario Argento and a landmark film in the giallo genre. The first American film that Storaro worked on was Apocalypse Now (1979). Director Francis Ford Coppola gave him free rein on the film’s visual look. Apocalypse Now earned Storaro his first Academy Award. He worked with Warren Beatty for the first time on Reds (1981), and ended up winning his second Academy Award. Storaro won a third Academy Award for The Last Emperor (1987), directed by Bertolucci. Three years later he received a nomination, but did not win, for the Beatty film Dick Tracy. In 2002, Storaro completed the first in a series of books that attempt to articulate his philosophy of cinematography more substantively. He was cinematographer for a BBC co-production with Italian broadcaster RAI of Verdi’s Rigoletto over two nights on the weekend of 4 and 5 September 2010. Woody Allen’s Café Society (2016) was the first film that Storaro shot digitally. He used the Sony F65 camera. In 2017, Storaro was honored with the George Eastman Award. The same year he also attended the New York Film Festival at which he debated with Ed Lachman on cinematography and its transition to digital. His other film credits include 1900, Last Tango in Paris, Dominion: Prequel to the Exorcist, One from the Heart, Bulworth, The Sheltering Sky, Tucker: The Man and His Dream, Ladyhawke, Tango, and Goya en Burdeos. With his son Fabrizio, he created the Univisium format system to unify all future theatrical and television movies into one respective aspect ratio of 2.00:1. As of 2020, this unification has not happened, and the universal replacement of 4:3 televisions by large, wide-screen displays greatly reduces the need to modify scope-ratio films for home theater presentation.