Jafar Panahi – Signed Photo – Taxi Teheran

Status: In stock

Authentic photo signed in person by Jafar Panahi.

 

Movie: Taxi Teheran (2015)

Date and Place of Signing: October 22, 2025 – Roma, Italy

Dimensions: Approx. 20 × 25 cm (8 × 10 inches)

 

This is a modern, professionally printed photo, signed in recent years. The autograph is genuine and was personally obtained, not a reproduction or preprint.

✔️ Certificate of Authenticity included
🖊️ Personally hand-signed under our official supervision
⭐ Exclusive collectible with all proceeds donated to charity
Deals ends in:

$129,00

★ One-of-a-kind collectible ★

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Protect Your Item:

Jafar Panahi – Signed Photo – Taxi Teheran + Protect your autograph: Toploader Ultra Pro 8"x10"
Price for both: $132,00

Protect Your Item:

Jafar Panahi – Signed Photo – Taxi Teheran + Protect your autograph: Toploader Ultra Pro 8"x10"
Price for both: $132,00

Description

JAFAR PANAHI BIOGRAPHY :
Jafar Panâhi (born 11 July 1960) is an Iranian film director, screenwriter, and editor. He is known internationally for his contributions to Iranian cinema and has received numerous awards at major film festivals, including the Palme d’Or at the 2025 Cannes Film Festival for It Was Just an Accident, the Golden Bear at the Berlin International Film Festival for Taxi (2015), and the Golden Lion at the Venice Film Festival for The Circle (2000). These accolades make him the fourth filmmaker — after Henri-Georges Clouzot, Michelangelo Antonioni and Robert Altman — to win the top prizes at the Big Three film festivals. In 2025, he was awarded the Telluride Film Festival Silver Medallion. Panahi began his career making short films and working as an assistant to Abbas Kiarostami. His debut feature, The White Balloon (1995), won the Caméra d’Or at the 1995 Cannes Film Festival, marking the first major award for an Iranian film at that event. He has since been associated with the Iranian New Wave and often explores themes of social injustice and restrictions, political oppression, and the experiences of marginalized individuals in Iran. His films have frequently been banned in Iran, and his career has been marked by conflict with Iranian authorities. In 2010, he was arrested and later sentenced to six years in prison and a 20-year ban on filmmaking and travel. Despite these restrictions, he continued to produce films, including This Is Not a Film (2011), which was smuggled out of Iran for screening at Cannes. Other notable works include The Mirror (1997), Offside (2006), Closed Curtain (2013), 3 Faces (2018) and No Bears (2022).

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