Description
PUPI AVATI BIOGRAPHY :
Giuseppe Avati, better known as Pupi Avati (born 3 November 1938), is an Italian film director, producer, and screenwriter. He is known to horror film fans for his two masterpieces of the macabre, The House with Laughing Windows (1976) and Zeder (1983).
Early life and career
Pupi Avati was born in Bologna in 1938. After attending school and studying Political Science at the University of Bologna, he started working at a frozen food company. At the same time, he developed a passion for jazz, becoming a proficient clarinetist. In the second half of the 1950s, he formed and played in the Doctor Dixie Jazz Band, of which Lucio Dalla was also a member. Although he initially intended to be a professional musician, Avati felt he lacked the necessary talent. In the mid-1960s, he decided to dedicate himself to cinema after seeing Federico Fellini’s 8½ and its portrait of the role of a director. Avati’s passion for music, as well as his love for his hometown, which was the setting of many of his films, were to become recurrent themes found in his productions. His filmography as a director includes almost forty films and television works. As a screenwriter, Avati wrote or co-authored the majority of his movies, as well as screenplays for other directors. He cooperated on the script of Salò o le 120 giornate di Sodoma (Salò, or the 120 Days of Sodom, 1976) directed by Pier Paolo Pasolini, even though he is not credited for it.[citation needed] He also produced several films for other directors and in his own work. Many of his movies are also produced by his brother Antonio Avati. Avati began his career directing horror films and is considered one of the most notable Italian directors of this genre, with titles including La casa dalle finestre che ridono (The House with Laughing Windows, 1976) and Zeder (1983), which are considered his masterpieces. According to Avati, the TV series Jazz Band (1978), written about the story of the Doctor Dixie Jazz Band marked a turning point for his work. The subject of his movies began coming from his own experience, and his cinema became more nostalgic, introspective, and autobiographic. Moreover, the series was successful and brought Avati to the attention of a wider public compared to his previous films. Throughout his career, Avati successfully directed and produced many genres of film, including horrors, medieval period pieces, dramas, jazz comedies, buddy comedies, biopics and others, proving himself to be a versatile director. During his career as a director, screenwriter, and producer, Avati was nominated for the Golden Palm, Silver Ribbons, David di Donatello Awards, and many others. He won two David di Donatello Awards and five Silver Ribbons. Avati was nominated Commendatore Ordine al Merito della Repubblica Italiana on 2 June 1995. He has presided over the Federico Fellini Foundation, created in 1995, in memory of the great Rimini-born director. In 2008, Avati published his autobiography, Sotto le stelle di un film, edited by Il Margine. Inspired by the autobiography of the director, in 2010, Claudio Costa made a documentary film of interviews and animations, called Pupi Avati, ieri oggi domani (“Pupi Avati, yesterday today tomorrow”).
Giuseppe Avati, better known as Pupi Avati (born 3 November 1938), is an Italian film director, producer, and screenwriter. He is known to horror film fans for his two masterpieces of the macabre, The House with Laughing Windows (1976) and Zeder (1983).
Early life and career
Pupi Avati was born in Bologna in 1938. After attending school and studying Political Science at the University of Bologna, he started working at a frozen food company. At the same time, he developed a passion for jazz, becoming a proficient clarinetist. In the second half of the 1950s, he formed and played in the Doctor Dixie Jazz Band, of which Lucio Dalla was also a member. Although he initially intended to be a professional musician, Avati felt he lacked the necessary talent. In the mid-1960s, he decided to dedicate himself to cinema after seeing Federico Fellini’s 8½ and its portrait of the role of a director. Avati’s passion for music, as well as his love for his hometown, which was the setting of many of his films, were to become recurrent themes found in his productions. His filmography as a director includes almost forty films and television works. As a screenwriter, Avati wrote or co-authored the majority of his movies, as well as screenplays for other directors. He cooperated on the script of Salò o le 120 giornate di Sodoma (Salò, or the 120 Days of Sodom, 1976) directed by Pier Paolo Pasolini, even though he is not credited for it.[citation needed] He also produced several films for other directors and in his own work. Many of his movies are also produced by his brother Antonio Avati. Avati began his career directing horror films and is considered one of the most notable Italian directors of this genre, with titles including La casa dalle finestre che ridono (The House with Laughing Windows, 1976) and Zeder (1983), which are considered his masterpieces. According to Avati, the TV series Jazz Band (1978), written about the story of the Doctor Dixie Jazz Band marked a turning point for his work. The subject of his movies began coming from his own experience, and his cinema became more nostalgic, introspective, and autobiographic. Moreover, the series was successful and brought Avati to the attention of a wider public compared to his previous films. Throughout his career, Avati successfully directed and produced many genres of film, including horrors, medieval period pieces, dramas, jazz comedies, buddy comedies, biopics and others, proving himself to be a versatile director. During his career as a director, screenwriter, and producer, Avati was nominated for the Golden Palm, Silver Ribbons, David di Donatello Awards, and many others. He won two David di Donatello Awards and five Silver Ribbons. Avati was nominated Commendatore Ordine al Merito della Repubblica Italiana on 2 June 1995. He has presided over the Federico Fellini Foundation, created in 1995, in memory of the great Rimini-born director. In 2008, Avati published his autobiography, Sotto le stelle di un film, edited by Il Margine. Inspired by the autobiography of the director, in 2010, Claudio Costa made a documentary film of interviews and animations, called Pupi Avati, ieri oggi domani (“Pupi Avati, yesterday today tomorrow”).
CHRISTIAN DE SICA BIOGRAPHY :
Christian De Sica (born 5 January 1951) is an Italian actor and film director.
Life
De Sica was born in Rome the second son of Italian director Vittorio De Sica and Spanish actress María Mercader. His first cousin once removed was Ramón Mercader, the murderer of Leon Trotsky. After attending Liceo classico in Rome, where he had Carlo Verdone as his deskmate, De Sica worked in a hotel in Venezuela, where he began his career as an artist. He enrolled in “Lettere” (Literature and Arts) at La Sapienza university (1970), but did not graduate. He was attracted to music, and participated in the Sanremo Festival singing “Mondo mio” (“My world”) (1973). However, the results convinced him to follow in his father’s footsteps and devote himself to acting. De Sica developed his own style of comedy and entertainment also in Rai television shows, such as Bambole, non c’è una lira which gave him a large success in 1978.
Acting career
With his father’s help, he was able to take his first steps in the movie world with such teachers and mentors as Roberto Rossellini (Blaise Pascal, 1971), Vittorio De Sica himself (Una breve vacanza, 1973), Pupi Avati (Bordella, 1976) and Salvatore Samperi (1979 Liquirizia and 1981 Casta e pura). He married Silvia Verdone, sister of Carlo, with whom he had two children, Brando and Mariarosa. He achieved fame in the 1980s: in 1982 Borotalco was released, together with his brother-in-law Verdone, then he filmed Sapore di Mare with Jerry Calà as well as Yuppies, Yuppies 2, Grandi Magazzini and Compagni di Scuola. After Night club, the last film directed by Italian director Sergio Corbucci, Christian De Sica became one of the most famous interpreters of the “cine-panettone” (comedies that reach movie theatres during the Christmas season) and formed till 2005 a partnership with actor Massimo Boldi. They acted together in the series of Vacanze di Natale and A spasso nel tempo (1996), Paparazzi (1998), Tifosi (1999) and Christmas in Love (2004). By 2002, their films had grossed 300 billion lire ($150 million). Afterwards, he starred in Natale a New York (2006), Natale in crociera (2007) and Natale a Rio (2008). These films, done in burlesque style, tend to be well received at the box office, if not by critics, at times even outstripping better known and expensively made movies such as the Harry Potter series. As an actor, De Sica has won three David di Donatello awards: a prize for Giovannino in 1976, a special one together with Massimo Boldi in 2000, and the third one in 2009. He received the America Award of the Italy-USA Foundation in 2016.
Directing career
Since 1990 Christian De Sica has also been a director: he debuted with Faccione, whose script he wrote and tailor-made for actress Nadia Rinaldi. After Count Max, a homage to the cinema of his father and of Mario Camerini, that he interpreted with Ornella Muti, Anita Ekberg and his mother Maria Mercader, De Sica went on self-directing in Ricky & Barabba (1992), Men Men Men (1995), Tre (1996), Simpatici & antipatici (1998) and The Clan (2005). A great admirer of Frank Sinatra and above all of Marlon Brando, he named his first child Brando in honour of the American actor. Criticism has often likened his acting to that of Alberto Sordi, from whom De Sica has drawn a lot of his expressions.
Life
De Sica was born in Rome the second son of Italian director Vittorio De Sica and Spanish actress María Mercader. His first cousin once removed was Ramón Mercader, the murderer of Leon Trotsky. After attending Liceo classico in Rome, where he had Carlo Verdone as his deskmate, De Sica worked in a hotel in Venezuela, where he began his career as an artist. He enrolled in “Lettere” (Literature and Arts) at La Sapienza university (1970), but did not graduate. He was attracted to music, and participated in the Sanremo Festival singing “Mondo mio” (“My world”) (1973). However, the results convinced him to follow in his father’s footsteps and devote himself to acting. De Sica developed his own style of comedy and entertainment also in Rai television shows, such as Bambole, non c’è una lira which gave him a large success in 1978.
Acting career
With his father’s help, he was able to take his first steps in the movie world with such teachers and mentors as Roberto Rossellini (Blaise Pascal, 1971), Vittorio De Sica himself (Una breve vacanza, 1973), Pupi Avati (Bordella, 1976) and Salvatore Samperi (1979 Liquirizia and 1981 Casta e pura). He married Silvia Verdone, sister of Carlo, with whom he had two children, Brando and Mariarosa. He achieved fame in the 1980s: in 1982 Borotalco was released, together with his brother-in-law Verdone, then he filmed Sapore di Mare with Jerry Calà as well as Yuppies, Yuppies 2, Grandi Magazzini and Compagni di Scuola. After Night club, the last film directed by Italian director Sergio Corbucci, Christian De Sica became one of the most famous interpreters of the “cine-panettone” (comedies that reach movie theatres during the Christmas season) and formed till 2005 a partnership with actor Massimo Boldi. They acted together in the series of Vacanze di Natale and A spasso nel tempo (1996), Paparazzi (1998), Tifosi (1999) and Christmas in Love (2004). By 2002, their films had grossed 300 billion lire ($150 million). Afterwards, he starred in Natale a New York (2006), Natale in crociera (2007) and Natale a Rio (2008). These films, done in burlesque style, tend to be well received at the box office, if not by critics, at times even outstripping better known and expensively made movies such as the Harry Potter series. As an actor, De Sica has won three David di Donatello awards: a prize for Giovannino in 1976, a special one together with Massimo Boldi in 2000, and the third one in 2009. He received the America Award of the Italy-USA Foundation in 2016.
Directing career
Since 1990 Christian De Sica has also been a director: he debuted with Faccione, whose script he wrote and tailor-made for actress Nadia Rinaldi. After Count Max, a homage to the cinema of his father and of Mario Camerini, that he interpreted with Ornella Muti, Anita Ekberg and his mother Maria Mercader, De Sica went on self-directing in Ricky & Barabba (1992), Men Men Men (1995), Tre (1996), Simpatici & antipatici (1998) and The Clan (2005). A great admirer of Frank Sinatra and above all of Marlon Brando, he named his first child Brando in honour of the American actor. Criticism has often likened his acting to that of Alberto Sordi, from whom De Sica has drawn a lot of his expressions.
